“Berkley’s quartet is featured on More ‘n Four, with Gary Deinstadt on piano, Joris Teepe on bass and Tony Jefferson on drums. Additional horn players are also part of the mix.
“Naked Flight,” one of five original songs, has Berkley on tenor. The piece begins slowly, with the horn section softly responding to Berkley’s lead. The intensity and amplification pick up a bit before the song shifts to Deinstadt’s solo. Bass and drums stretch out as the piano goes through its paces. The horns come in briefly for a dramatic buildup. Jefferson adds more emphasis when Berkley takes over. The tenor goes through a frenetic series of rolls. The song becomes a free-for-all as Berkley is joined by three other sax players, each carving his own path.
“Unsung,” another original, is a fast-paced tune that again highlights Berkley and Deinstadt. Jefferson’s solo sets up a duet between himself
and Berkley that precedes the closing sequence.”
“A single listen to the pop/jazz standard “Nature Boy” is proof that saxophonist Joey Berkley’s tenor is as robust and accomplished as they come. Living in New York since the late 1970s, the Canadian expat has survived and thrived in the “City That Never Sleeps”–performing with top musicians, running his own music company and teaching, while maintaining a couple of bands including the nine-piece jazz/funk Band, Funkasaurus Rex.
More ‘n Four is a straight-ahead release–a continuation and extension of his debut quartet release, Made in NYC (A-Records, 1999)–that is steeped in the sounds of saxophone greats Dexter Gordon, John Coltrane and Michael Brecker, as well as younger players including Wayne Escoffery and Jerome Sabbagh. The purpose and passion is heard through Berkley’s continuing artistic expression, one that balances a powerful tone with glowing lyricism.
The same treatment of “Nature Boy”–once sung by the superb crooner Nat King Cole–is present in Berkeley’s reeded voice–the familiar shimmering glissando (with horn section), as the saxophonist’s horn sings the gorgeous melody. Things move to full uptown swing with “Push,” the momentum provided by ace rhythm section Joris Teepe (bass), Tony Jefferson (drums) and Gary Deinstadt (drums). “Naked Flight”’s modality is just as hip; a blues with street swagger.
The band shines again on another tune sung by Cole, the classic “The More I See You.” The dexterity and emotion of Berkeley’s solo sends shivers up and down the spine. While his soprano’s tonality is not as impressive, he still has the juice on “The Alamo,” but it’s tunes such as “Don’t Look Down” that prove his abilities as a player, writer and arranger of multiple voices and intricate rhythmic changes.
The icing on this cake is applied liberally on “Is There No Escape,” where Tony Jefferson’s drumming and searing tenor obliterate the
heady bop tune. Berkeley is serious. Let’s have more of More ‘n Four.”
